https://lynnegray.art/illuminations/https://lynnegray.art/wp-content/uploads/2026/02/72.-elephant-and-castle-1-e1770105854729.jpgElephant and Castle. Egg tempera and gold on paper. Prototype from the Ashmole Bestiary, English (possibly Peterborough), early 13C.https://lynnegray.art/wp-content/uploads/2026/02/68.-turtledoves-1-e1770105907138.jpgTurtledoves. Egg tempera and gold on paper. Prototype from the Aberdeen Bestiary, "The Devotion of the Widowed Turtledove", English, probably late 12C.https://lynnegray.art/wp-content/uploads/2026/02/64.-boat-with-sailors-lands-on-whale-eating-a-fish-1-e1770105966204.jpgBoat with Sailors Lands on Whale Eating a Fish. Egg tempera and gold on paper. Prototype from the Ashmole Bestiary, English (possibly Peterborough), early 13C.https://lynnegray.art/wp-content/uploads/2026/02/63.-hunter-shooting-at-magpies-1-e1770106030182.jpgHunter Shooting at Magpies. Egg tempera and gold on paper. Prototype from the Ashmole Bestiary, English (possibly Peterborough), early 13C.https://lynnegray.art/wp-content/uploads/2026/02/73.-weasel-attacking-a-basilisk-e1770106082104.jpgWeasel Attacking a Basilisk. Egg tempera (incorporating Australian ochres) and gold on parchment (from Tasmanian wallaby). Prototype from the Ashmole Bestiary, English (possibly Peterborough), early 13C.https://lynnegray.art/wp-content/uploads/2026/02/61.-asp-blocking-ears-to-snake-charmer-e1770106230288.jpgAsp Blocking Ears to Snake Charmer. Egg tempera and gold on paper. Prototype from the Ashmole Bestiary, English (possibly Peterborough), early 13C.https://lynnegray.art/wp-content/uploads/2026/02/59.-crufixion-e1770106182972.jpgThe Crufixion. Egg tempera and gold on paper. Prototype a miniature added to a psalter, English, late 13C.https://lynnegray.art/wp-content/uploads/2026/02/60.-doubting-thomas-e1770106132262.jpgDoubting Thomas. Egg tempera and gold on paper. Prototype from illustrated "Vita Christi" with devotional supplements, Northern English, ca. 1190.https://lynnegray.art/wp-content/uploads/2026/02/62.-griffin-carrying-off-a-pig-e1770106275601.jpgGriffin Carrying Off a Pig. Egg tempera and gold on paper. Prototype from the Ashmole Bestiary, English (possibly Peterborough), early 13C.https://lynnegray.art/wp-content/uploads/2026/02/58.1-the-magi.-star_retouched_v02-e1770104335824.jpgThe Magi. Egg tempera and gold on paper. Based on detail from early 6C mosaic "Mary and Child Surrounded by Angels", Basilica of Saint'Apollinare Nuovo, Ravenna, Italy.2026-03-09T04:35:29+00:00weekly0.6https://lynnegray.art/light-from-light/2026-03-09T03:41:43+00:00weekly0.6https://lynnegray.art/about/https://lynnegray.art/wp-content/uploads/2026/01/p1130086-edit.jpgp1130086-edithttps://lynnegray.art/wp-content/uploads/2026/01/p1130086.jpgp11300862026-02-15T03:45:58+00:00weekly0.6https://lynnegray.art/panel-paintings/https://lynnegray.art/wp-content/uploads/2026/02/10.-man-of-sorrows-e1770101881106.jpgMan of Sorrows. Egg tempera and gold on wood.https://lynnegray.art/wp-content/uploads/2026/02/07.-sorrowing-angel-of-the-crucifixion.jpgSorrowing Angel of the Crucifixion. Egg tempera and gold on canvas.https://lynnegray.art/wp-content/uploads/2026/02/06.-mary-of-the-magnificat-e1770101797924.jpgMary of the Magnificat. Egg tempera and gold on wood. Based on detail from tondo by Sando Botticelli, Italian, 14 C.https://lynnegray.art/wp-content/uploads/2026/02/74.-lamentation-over-the-dead-christ-with-saints-1-e1770100115384.jpgLamentation Over the Dead Christ with Saints. Egg tempera on wood. Prototype by Sandro Botticelli, Italian, ca. 1490-95.https://lynnegray.art/wp-content/uploads/2026/02/66.-crufix-detail-e1770100156655.jpgCrucifix (Detail). Egg tempera and gold on wood. Prototype by Giotto di Bondone, Italian, ca. 1288-1289.https://lynnegray.art/wp-content/uploads/2026/02/56.-god-as-architect-of-the-world-e1770099103382.jpgGod as Architect of the World. Egg tempera and gold on wood. Based on miniature from a moralised Bible, French (Paris), ca. 1220.https://lynnegray.art/wp-content/uploads/2026/02/55.-detail-of-birds-e1770099155916.jpgDetail of Birds. Egg tempera and gold on wood. Prototype from "Christ in the Garden of Olives" by the anonymous Master of the Vyšší Brod Cycle, Bohemian, ca. 1350.https://lynnegray.art/wp-content/uploads/2026/02/54.-angel-with-lute-pink.jpgDetail of Angel with Lute. Egg tempera and gold on wood. Prototype from "Calling of the Elect into Paradise" (fresco) by Luca Signorelli, Italian, 1499-1502.https://lynnegray.art/wp-content/uploads/2026/02/53.-nativity-after-giotto-detail.jpgNativity (Detail). Egg tempera and gold on wood. Prototype (fresco) by Giotto di Bondone, Italian, 1306.https://lynnegray.art/wp-content/uploads/2026/02/48.-blessing-redeemer.jpgBlessing Redeemer. Egg tempera and gold on wood. Prototype by Fra Angelico, Italian, ca. 1423.2026-02-15T03:04:08+00:00weekly0.6https://lynnegray.art/verre-eglomise/https://lynnegray.art/wp-content/uploads/2026/02/70.-raising-of-lazarus-e1770109818922.jpgRaising of Lazarus. Verre églomisé. Based on late Roman gold sandwich glass, 4C.https://lynnegray.art/wp-content/uploads/2026/02/69.-last-supper-e1770109771672.jpgLast Supper. Verre églomisé. Based on enamelled plaque, Spanish (Valencia), 14C.https://lynnegray.art/wp-content/uploads/2026/02/71.-angel.jpgAngel. Verre églomisé. Based on detail from Tabernacle of Cherves, French (Limoges), ca. 1220-1230.https://lynnegray.art/wp-content/uploads/2026/02/65.-resurection-of-christ-e1770109539435.jpgResurrection of Christ. Verre églomisé. Prototype from a reliquary diptych, Central Italian, late 14C.https://lynnegray.art/wp-content/uploads/2026/02/52.-mary-annunciate.jpgMary Annunciate. Verre églomisé. Based on detail from "The Annunciation" (panel) by Bernardo Daddi, Italian, ca. 1335.https://lynnegray.art/wp-content/uploads/2026/02/50.-annunciation-angel.jpgAngel. Verre églomisé. Based on detail from "The Annunciation" (panel) by Bernardo Daddi, Italian, ca. 1335.https://lynnegray.art/wp-content/uploads/2026/02/51.-gabriel-annunciate.jpgGabriel Annunciate. Verre églomisé. Based on detail from "The Annunciation" (panel) by Bernardo Daddi, Italian, ca. 1335.https://lynnegray.art/wp-content/uploads/2026/02/43.-the-ascension.jpgThe Ascension. Verre églomisé. Based on Luca della Robbia 15C.https://lynnegray.art/wp-content/uploads/2026/02/67.-agnus-dei.jpgAgnus Dei. Verre églomisé. Based on detail from a polychrome wooden cross, Spanish (Baguergue), ca. 1200.2026-02-03T09:11:02+00:00weekly0.6https://lynnegray.art/mixed-media/2026-02-02T04:37:03+00:00weekly0.6https://lynnegray.art/book-art/2026-02-02T04:33:27+00:00weekly0.6https://lynnegray.art/meshwork/https://lynnegray.art/wp-content/uploads/2026/02/84-2.-madonna-and-child.jpgMadonna and Child. Egg tempera, 23 carat gold leaf, india ink and metallic thread on parchment (wallaby, northwest Tasmania, prepared by Grace Pundyk). Adapted from a prototype by Domenico di Bartolo, Italian (Siena), ca. 1436.https://lynnegray.art/wp-content/uploads/2026/02/85-2.-pieta.jpgPietà. Egg tempera, 23 carat gold leaf, India ink and metallic thread on parchment (wallaby, northwest Tasmania, prepared by Grace Pundyk). Adapted from a prototype by Roberto d'Oderisio, Italian (Naples), ca. 1380.2026-02-01T08:56:58+00:00weekly0.6https://lynnegray.art/exhibitions/2026-02-01T08:33:58+00:00weekly0.6https://lynnegray.art/2026/01/18/the-art-of-connection/2026-01-18T08:17:26+00:00monthlyhttps://lynnegray.art/2026/01/18/beyond-the-obstacle/2026-01-18T08:17:25+00:00monthlyhttps://lynnegray.art/2026/01/18/growth-unlocked/2026-01-18T08:17:24+00:00monthlyhttps://lynnegray.art/2026/01/18/collaboration-magic/2026-01-18T08:17:23+00:00monthlyhttps://lynnegray.art/2026/01/18/teamwork-triumphs/2026-01-18T08:17:22+00:00monthlyhttps://lynnegray.art/2026/01/18/adaptive-advantage/2026-01-18T08:17:21+00:00monthlyhttps://lynnegray.artdaily1.02026-03-09T04:35:29+00:00